My first exposure to specifically Roman culture was through the lens of Federico Fellini's film
Particularly in this clip there is a contrast between the juxtaposition of the appetizing presentation of food with a voiceover that completely deconstructs any notion of good taste. While there is deep reverence for appearance of food with emphasis on the pasta dishes, the voiceover forces a perception of disgust. I simultaneously viewed Italian consumption in terms of the contradiction between respect for tradition and pushing personal preference. My focus shifted away from the pasta dish to the c
The sommelier describ

Sensory: Includes looking at the wine and analyzing the color in terms of vintage.
Olfactory: Includes smelling the wine, swirling the glass, then smelling again.
Taste: Finally, tasting the wine can also be thought of in terms of multiple sensations including
Sweetness
Acidity
Saltiness
Bitterness
Essentially, respect permeates the mindset of consumption for wine, from the most expensive to the cheapest “vino tabula” or common table wine. Although this form of tasting can get tedious (and distracting when trying to scribble down all the details!) there is a different type of tasting that occurs when activities such as thinking and analyzing and not only chewing and swallowing are involved. We were offered various cheeses with honey as well as foccacia bread with olives all of which altered the taste of the wines, enhancing and changing the perception of flavor.
The contradiction explained previously in Fellini’s Roma in terms of food presentation versus a critical and disgusted voiceover is apparent in Italian food consumption. We similarly see this tension between upholding traditions and challenging the institution of wine tasting. Particularly, while rules such as drinking the wine in sequential order from earlier vintage to later vintage and drinking specific wines out of specific glasses, the consumer is given the choice. The sommelier can offer suggestions, but ultimately one can pair whatever food with whatever wine they want. In turn, the sommelier can show a consumer the traditional pairings and ways, yet the sommelier must also respect the consumer’s palate, even untraditional methods.
This notion of rispetto, or respect, transposed to the Italian breakfast tutorial we had with the gracious bar waiter Sergio. Before Sergio noted that it is most appropriate to use a hot cup for
Analyzing both coffee and wine and comparing how they function in American and Italian culture amplified my understanding of consumption. There are drastic differences between each, such as coffee is not enjoyed on the go in Italy prominently like in America. There appears to be more of a respect in terms of all consumption that permeates Italian culture from coffee and wine to food preparation and ritual as well as art and other cultural signifiers. My personal experience in America compared with my time spent in Rome and Cilento reveals
a lifestyle more focused on locality and quality which is also comparatively cheaper. The Italian culture is indeed characterized and preserved through this notion of respect. While Fellini’s films such as Roma and Amarcord challenge Italian culture as previously perceived, a sense of deep respect is still engrained in specifically Italian food culture. While standards remain, consumers still maintain agency in terms of preference. The traditions embody an alternative form of history that offers a new insight into culture and lifestyles. In contrast to American consumption which is constantly mobile, this rhetoric of respect encourages more time for both thought and enjoyment- an important lesson I have particularly absorbed from Italian culture.